At long last, the technology underlying the new Sophia CC and Mantinia CC matches the sophistication of their design.
Matthew Carter restores the authenticity of Isaac Moore’s 18th-century display face, in a design meant to be used, well, Big.
Matthew Carter’s Roster takes the visual tension of square corners in round shapes and makes this square-circle tension its underlying structure.
Matthew Carter’s versatile and ubiquitous typefaces for reading onscreen and on paper gain new weights, a new width, OpenType layout features, and a pan-European character set.
The Museum of Modern Art acknowledges type’s importance to the history of modern art and design.